No. 1 Requiem and Kyrie Eleison
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p.1
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l.2
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b.1
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vocalised whisper 'mystery'
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b.4
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very soft 'q'
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p.2
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l.1
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'pleading'
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l.2
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b.2
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'x' on beat 2
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p.3
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l.2
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b.3 (and following)
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no 'h' in 'hymnus'
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p.4
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sopranos breathe after these words: hymnus, Sion, reddetur
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p.5
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l.1
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b.3
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basses circle middle c
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b. 5-6
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dim
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b.6
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tenors: 'ad te' should be mf
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l.2
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b.2
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sopranos 'legato'
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b.6
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replace semibreve with dotted minim
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p.6
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l.1
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b.4
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tenors mark up arrow over g sharp
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p.7
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l.2
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b.5
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mark 'ff dim' over final note
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p.9
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l.2
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end
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mark 'chorus in over'
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p.10
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b.2
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mark rit
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p.18
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b.3
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tenors mark 'cresc.'
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p.19
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end
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mark 'V.S.'
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p.20
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b.2
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mark 'look up'
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mark 'Sssshh'
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No.2 Dies Irae
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p.22
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l.1
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b.1
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mark time signature as 2/2
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p.23
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l.1
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b.2
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don't snatch at note
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p.24
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l.2
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b.2
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basses circle first note
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p.25
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l.1
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b.1
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basses don't worry about accent on final note - rather sing the first note of b.2 strongly
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l.2
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b.2
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first tenors breathe after the semibreve on 'Di-'. Attack f in b.3 with an accent
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p.26
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l.2
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b.5
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mark 'sing through'
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p.29
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l.1
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b.1
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basses mark 'mf'
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b.2
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basses mark 'dim'
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sopranos mark 'mp' (Aim for 'i' of 'irae')
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p.30
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mark 'sing - this is chorus'
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p.31
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l.2
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b.3
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circle rest
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p.32
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l.1
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b.4
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mark last note 'pp'
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p.34
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l.1
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tenors join basses
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p.37
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l.2
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b.1
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very little 's' on 'nes'
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p.39
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l.2
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end
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mark 'V.S.'
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p.45
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l.2
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mark '(pp)'
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p.46
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l.2
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b.1
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mark time signature as 2/2
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b.2 and 4
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mark 'dim'
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p.47
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l.1
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mark 'not quieter'
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p.47
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l.2
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b.1
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basses mark 'mf' not 'pp'
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b.3
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basses mark 'dim'
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p.49
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l.1
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b.3
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mark 'with menace'
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b.4
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mark 'ff' at start of bar.
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p.56
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l.3
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b.1 and following
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the three tenor parts are taken by altos, first tenor and second tenor respectively
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p.57
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l.2
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sopranos mark 'solo'
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p.58
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b.2
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mark 'poco piu mosso'
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b.3
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basses 's on 3rd beat'
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p.67
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b.2
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first tenors take upper part; second tenors take lower part
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p.68
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b.2/3
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mark 'not quieter'
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p.88
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Please note this music is different from page 25
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p.89
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l.1
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b.2
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mark 'not slower'
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p.96
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b.2 and following
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'all basses' / 'all tenors'
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p.101
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b.1
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mark 'f'
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No. 4 Sanctus
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p.129
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b.2
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1st tenors sing with 1st basses
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b.4
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both choirs please sing second choir parts for 2 bars
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p.131 and following
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clip longer notes to make it light and dance-like
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p.141
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b.3 and following
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atb replace dotted crotchets with crotchet + quaver rest
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p.142
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b.3
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first basses mark 'dim'
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p.143
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b.3
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second tenors might care to circle the a natural!
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p.148
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b.5
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second tenors should join the last note with their entry at the top of p.149 with a big arrow.
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p.153
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b.4
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add pause
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No.5 Agnus Dei
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p.155
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l.1
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b.1
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mark 'big breath'
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b.3
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the rhythm is crotchet, crotchet, dotted quaver, semiquaver, crotchet
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l.2
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b.2
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don't shorten the low G, and do take a breath
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p.156
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l.1
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no breath in the phrase 'dona eis requiem'
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p.157
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l.2
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mark 'V.S'
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No.7 Libera Me
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p.175
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l.1
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take a breath after 'aeterna', mark a tenuto on the 'di' of 'di-e', and make 'il-la tre' a triplet
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p.189
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l.1
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sopranos please mark your part to the end of the work.
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l.1
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b.2&6
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hum 'm' of 'requiem'
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p.190
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l.1
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b.3
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sopranos shorten last quaver
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all parts mark the crescendo to 'f'
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l.2
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b.4
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sopranos shorten last crotchet
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p.191
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l.1
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b.4
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mark every crotchet 'f'
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breath after first beat
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p.192
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l.1
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b.2
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breath after first note
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b.4&6
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hum 'm' of 'requiem'
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p.193
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l.4
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b.3
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altos breath after 'aeterna' if needed
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p.194
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l.1
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b.1
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altos mark 'quando' as 'mp'
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p.194 and following
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all parts 'et terra' has two t's
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p.194
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l.2
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b.4
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sopranos delete crescendo marking and mark 'mp'
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p.195
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l.2
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b.1
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basses mark 'quando' as 'mp'
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p.196
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l.1
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b.4
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altos mark entry as 'mf'
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l.2
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b.1
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tenors mark entry as 'mf'
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p.198
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mark 'Sssshh!'
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p.199
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l.1
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b.3&4
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'molto cresc'
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p.202
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l.1
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b.2
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stb mark first note as short
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p.204
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l.2
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b.1
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sopranos pounce on first note
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p.207
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l.2
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b.5&6
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'et terra' has two t's
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p.215
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l.1
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b.1
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mark 'not slower'
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p.216
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l.2
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b.1
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mark 'dim'
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p.217
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l.2
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b.3
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sopranos mark 'Sing! This is chorus'
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